Vineyards in the hills of Kutjevo in the Slavonia wine growing region of continental Croatia – a very sweet spot for the white variety, Graševina!🙂
Photos and text by Cliff Rames © 2013
(Note: In the summer of 2012 I was asked to contribute a piece for the next edition of the “Every Wine Tells a Story” book compiled annually by Tara O’Leary. Unfortunately, the book was never published, but here is what I wrote for it, now shared for you here. I hope you enjoy it. ~Cliff)
THEY SAY THAT LIFE is made up of moments. That at the end when we look back on our individual lives certain fragments of time will blink like stars in a dark sky. That along the timeline of our lives certain small personal interactions or experiences will be recalled with laser clarity: distinct milestones – either meaningful or nostalgic – that we may or may not have noticed at the instant of their occasion.
Every once in a while, a lucky wine lover will encounter a certain vino that changes the game, shifts the boundaries of perception, and leaves one stunned, mystified… Gaping like a beached fish, overwhelmed by the mysteries of the universe, by the inexplicable ways that wine evolves in the bottle. A wine that transcends this world and dispatches the drinker’s consciousness into a parallel dimension where muses enlighten, angels and deities celebrate, and the sands of time flow not to make us old but to revive us with revelations and new discoveries.
In 2012, I had the honor of being visited by one such wine – a 1963 Graševina “Arhivsko vino” (archive wine) from the Kutjevo winery (a historic bastion of cellared treasures in the Slavonia region of Croatia) on two separate and equally memorable occasions: once at the winery, and subsequently at a vertical tasting workshop of aged graševina wines called “Wine of Grace” at the Zagreb Wine Gourmet Weekend in Croatia.
Tasting the same wine on two separate occasions did not diminish the profundity of my experience but reaffirmed it. Indeed both encounters left me paralyzed in awe, helpless to summon my professional sommelier training to conduct a point-by-point assessment and expound pretentiously upon the wine’s merits and misdemeanors.
Instead I sat there dreamy-eyed, slack-jawed and loose-limbed, struggling to suppress the urge to whimper and weep like a baby. Lost in this dumbfounded comprehension of the implications associated with being touched by such a wonder of creation, I yielded to its mysteries and allowed myself to be absorbed.
Forty-nine years of dormancy and leisure in a mold-crusted cellar deposited a patina of fossilized dust and organic matter on the bottle, cloaking it in ash-colored velvet. I watched with mixed emotions (excitement, sorrow, anticipation, unworthiness) as the bottle was opened, revealing a cork that was amber and black with age, ripe and moist.
What emerged from within was a beautiful liquid genie: older and wiser, perhaps, but no less enchanting with sultry hues of gold, a brilliant clarity and regal structure. Now exhumed from her confines, this “wine of grace” released – or rather, bestowed upon us like a cherished, granted wish – an alluring, continuously unfolding tapestry of rich aromas: honey, roasted nuts, candied citrus peels, autumn bouquet, buttered forest mushrooms, something akin to apricot cobbler….
Ensconced as I was in such a blissful stupor – sniffing, swirling, marveling – I quietly flipped back pages of history. Over the decades in which the 1963 Graševina laid still in the damp darkness of its lonely old cellar in Kutjevo, the world outside the cold stone walls was bustling, with many things coming to pass: my parents’ marriage; my birth; Beatle Mania; the deaths of Elvis and John Lennon; the Vietnam war; Jimi Hendrix’s ascent to guitar god; Watergate; Apollo 11 and Neil Armstrong; the heady days of Led Zeppelin; the ’69 Mets; the first Apple computer; Disco; mullet haircuts; Jaws; the Space Shuttle; Michael Jackson’s lifetime; the fall of the Berlin Wall; the break-up of Yugoslavia and the war in Croatia; Seinfeld; cell phones and smart tablets; the Millennium; September 11th; endless wars in the Middle East; Facebook and memes; the unrealized Mayan prophesies; the first African-American U.S. president…..
Like wrinkles and wisdom, history was now woven into the wine’s fabric. While graševina is not a wine noted for its noble pedigree or ability for long-term aging, the 1963 from Kutjevo winery decisively dispelled any generalized notion about the inability of certain white wines to age. Barely frayed or faded, it was clearly still a living thing, delivering layer upon layer of rich texture, exotic nuance, and vibrant character.
I was not the only one to notice. Judging by the reflective silence and mesmerized faces of those with me, the moment in time we collectively shared while in the throes of vinous enlightenment was truly an enchanting and unforgettable experience.
A wine of such grace and rarity may not come our way everyday. But if you ever have the opportunity to discover an older vintage or indulge in a unique bottle of some strange varietal wine from a far-off land, please don’t miss it. The experience may turn out to be one of those moments in life that you will treasure forever.
IF THIS WINE were a celebrity it would be Meryl Streep: an actress of such grace and charm who grows more lovely, sophisticated and relevant with age. Like Mona Lisa on canvass, on screen Meryl shines with just the right balance of profundity, grace and sass, coddling the soul, providing comfort to the heart, and stoking the fires of imagination – all this while defying the ravages of time with her elegant poise, child-like charms and timeless beauty. (Note to Meryl: I still have one more bottle of the 1963 Kutjevo Graševina in my cellar. Stop by anytime. I’d be happy to open it for you. :-) )
Krauthaker estate vineyards, Kutjevo wine-growing hills, Slavonia region, Continental Croatia.
By Cliff Rames © 2012
As a matter of fact, yes – you can find the variety growing all over Croatia. Heck, even the mother grape of chardonnay is Croatian, a little devil of a grape called štajerska belina – or gouais blanc – that long ago made its way to France where it crossed with pinot and sired chardonnay.
While quality is uneven, delicious chardonnay wines are produced across Croatia – from Istria along the coast (called the “Tuscany of Croatia” by the New York Times), to the amphitheater-shaped hills of Plešivica in the northern continental region and the Miocene Epoch-dated Pannonian Sea soils of Kutjevo in Slavonia.
Krauthaker’s Rosenberg 100% chardonnay is sublime; while Kutjevo winery’s 2009 Chardonnay de Gotho Aureus won a silver medal at the 2011 Chardonnay du Monde wine competition in France. Belje is a leading producer from the Baranja wine-growing (far northeastern Croatia), where among its expansive vineyard holdings is the esteemed 220 meter-above-sea-level, south-facing Goldberg appellation – home of its award winning Goldberg Chardonnay.
From Plešivica Korak Chardonnay is the benchmark beauty, and chardonnay forms 50% of the blend in Tomac’s iconic Anfora wine. If orange wine is your thing, Roxanich Milva chardonnay from Istria is fabulously elegant and complex with its creamy, mineral character and exotic fruit, floral, nut and honey notes.
Chardonnay is sometimes blended with other local grapes, like in Istria where it nicely compliments blends made with the local malvasia istriana (malvazija istarska) grape. Saints Hills Nevina, Matoševic Grimalda Bijelo, and Trapan Levante are a few prime examples.
Cabernet sauvignon? Check out the Podunavlje sub-region of Slavonia, whose terroir (long, warm growing season and ancient loam slopes along the Danube) delivers promising results. Iuris winery in the Erdut wine-growing hills produces a tasty, food-friendly entry-level cab from their vineyards on the Kraljevo Brdo (King’s Hill) appellation.
In Istria, iron-rich “terra rosa” soils lend nice structure and minerality to the region’s red wines (think the Coonawarra region of Australia); Agrolaguna (Festigia label), Coronica, Cossetto, Degrassi, Roxanich and Trapan all come to mind as producers who are banging out some really palate-worthy Istrian cabernet sauvignon. In southern Dalmatia, Dubrovački Podrumi (Dubrovnik Cellars) produces the benchmark southern climate cabernet, Trajectum, from its vineyards overlooking the Konavle valley just south of the tourist Mecca, Dubrovnik.
Merlot? It’s just about everywhere, from Dalmatia to Istria to Slavonia. Sometimes it’s good (Agrolaguna Festigia); BIBICh Sangreal; Crvik; Frajona; Krauthaker; Roxanich); sometimes – not so much. Often it finds its best use in tasty Bordeaux blends, such as the excellent Dajla Cuvee Barrique from Istravino and the “Vrhunsko” 2007 red cab/merlot blend from Boškinac winery on Pag island.
Most famously, merlot (along with cabernet sauvignon and refosco) was a component in the Clai Ottocento 2007 Crno that Gary Vaynerchuk reviewed – and fell in love with – on Wine Library TV. You can see Gary’s reaction – and watch the whole wines of Croatia episode (above).
Cabernet franc is sparsely-planted, but Moreno Degrassi in Istria produces a lovely version full of typical cab franc character (cherry and black fruits with a hint of tobacco and sweet herbs).
That pinot noir (‘pinot crni”) is only grown in a few select spots in Croatia is testimony to the grape’s fickleness and outright hostility toward inappropriate terroirs. But a couple of producers have had some luck with it, notably Velimir Korak in Plešivica and Vlado Krauthaker in Kutjevo (from grapes grown on the upper slopes of Mt. Krndija). Back in cool Plešivica, Šember winery offers a delicate and refreshing 100% pinot noir sparkling wine that tingles with hibiscus and watermelon flavors laced with seashell minerality.
Syrah? It’s emerging in a select few locations in Croatia and is still very much in the experimental phase. Early results though indicate that the grape (syrah/shiraz) seems to enjoy Croatian hospitality. A growing area to watch is the Dalmatian hinterland around the coastal city Zadar, where Alen BIBICh produces his acclaimed Sangreal Shiraz and Benkovac winery cultivates 103 hectares of vines that spawned the award-winning 2007 Korlat Syrah.
In Istria, Bruno Trapan has seriously invested in syrah and is hedging his bets that it will do well on his 5 hectares of vineyards located 50-55 meters above sea level at Šišana near Pula. Trapan 2007 Shuluq Syrah received a “Commended” rating in the Decanter 2010 World Wine Awards competition. That said, I suspect that the international marketability of Croatian syrah will face many challenges, especially in light of the recent – and sad – downturn in global demand for syrah.
Let’s not forget Zinfandel. Technically, Zinfandel is a native Croatian variety called Crljenak Kaštelanski and its story and genetic links to Croatia have been widely documented. But because some Croatian producers are preparing to release wines labeled as “Zinfandel”, we will briefly mention it here. Zinfandel (aka Crljenak) is native to the Kaštela region of central Dalmatia, near the city of Split. Further south on the Pelješac peninsula, well-respected producer, Marija Mrgudić of Bura-Mugudić winery, planted Napa clones and is preparing for the first release of Croatian Zinfandel. Although the jury is still out on whether this grape can deliver as much potential as plavac mali (the variety that historically supplanted it) – or if American zinfandel producers will oppose the use of the “Zinfandel” moniker on labels from Croatia – it is an interesting development and can only help draw positive attention to Croatia’s winemaking culture.
Sauvignon blanc? Riesling? Pinot gris? Pinot blanc? All are planted in Croatia (where they are known as “sauvignon”, “rajnski rizling”, “pinot sivi”, and “pinot bijeli” respectively) and have a long history of being consumed locally as table wines, particularly in the cool continental regions. But a number of producers have invested in vineyard and cellar in order to improve quality and raise the profile of these varieties – especially sauvignon blanc and riesling. A very promising producer is Bolfan in the Zlatar wine-growing hills of the Međimurje–Zagorje region. The Bolfan portfolio includes some very intriguing, pure and refreshing whites across all styles (dry to sweet) from an array of grapes grown on its 20 hectares of stunningly beautiful “Vinski vrh” (Wine Summit) vineyards; the Bolfan ’08 Riesling Primus is drinking beautifully now with an off-dry, richly extracted profile of golden apples, pears and honey with hints of petrol and wet stone minerality. Tasty!
For sauvignon blanc, watch for the award-winning Badel 1862 Sauvignon Daruvar and Zdjelarević Sauvignon from Slavonia. Not surprisingly, sauvignon blanc seems to have found its sweetest spot in the Plešivica area with its cool, moist and sunny slopes that grace the bowl of the area’s naturally-formed amphitheater. There Korak, Šember and Tomac produce crisp, lovely citrus and herbal examples.
Gewürztraminer (“traminac”) does very well in the far-eastern corners of the Slavonia and Podunavlje regions, where it is made into everything from dry, spicy whites to unctuous, richly floral and delicious late harvest and ice wines. Iločki Podrumi is a leading producer in the Srijem wine-growing hills and in certain frosty years Kutjevo winery and Iločki podrumi make a luscious Ice Wine (“Ledeno vino”) from the variety.
So yes…wines made from familiar international varieties can be found in Croatia – and to a lesser extent on export markets.
That said, international varieties are not the future of Croatian winemaking or marketing program. The “Golden Promise” (I would argue) lies in Croatia’s rich array of indigenous grape varieties. Their individual stories are screaming to be told and are sure to pique intrigue among – and stimulate the palates of – savvy foreign wine buyers and adventurous consumers.
Ray Isle, Food & Wine magazine’s executive wine editor, recently presented “Five Grapes to Expand Your Wine Horizons” in an article for CNN’s Eatocracy blog. Unfortunately none of the grapes he mentioned was from Croatia (the list did include blaufrankisch, known in Croatia as frankovka). The point is, wine drinkers who seek the magic of discovery must look beyond mainstream varieties and venture into uncharted territory: The land of native grapes with charming, sometimes tongue-twisting names.
Once blessed with over 400 indigenous grape varieties, the Croatian Ministry of Agriculture’s official list of cultivars today contains 192 varieties, of which 130 are considered autochthonous (indigenous) to Croatia or the region. Of that number, only three dozen or so are commonly found in modern commercial wines. The “Big Three” of course are graševina, malvasia istriana, and plavac mali, which are – in descending order – the most widely planted wine grape varieties in Croatia.
In our next post we will introduce the “Big Three” – and go beyond, presenting you with the “Magnificent Seven”, a fabulous handful of Croatian wine grapes that you should know. These varieties were selected based on their commonality, the quality of the wine they produce, and their accessibility and presence on both the domestic and export markets.
For fans of even lesser-know varieties, fear not. We will subsequently venture beyond the Magnificent Seven and explore a gaggle of other quirky, interesting and uniquely Croatian grape varieties that did not make the first round. Stay tuned to meet the whole gang – the wild and wonderful Grapes of Croatia!🙂
“Work hard, play harder” is a favorite slogan of mine. And while winter is not as intensely laborious as harvest time, winegrowers must occasionally brave the harsh winter days and work in the vineyard. Winter is the time for pruning the vines to prepare them for new growth in the spring. Often this means runny noses, frozen hands, and lots of dead vine stalks to haul away to the compost or firewood stacks.
But all is not sober and back-breaking among the vines. Each year on a certain day the time comes to cease work, pause to give thanks, pay homage to the vineyard, and celebrate another successful harvest and the promise of a new growing year. The day is known as the Feast of Saint Vincent of Saragossa. Celebrated each winter on January 22nd (Roman Catholic Church), St. Vincent’s Day marks the mid-point between the onset of dormancy and bud-break in the vine’s growing cycle.
Born in Spain in the 3rd century and later martyred, St. Vincent is the patron saint of wine-growers and winemakers. The story behind how he became the patron saint of vintners is rooted in legend and has many versions. One prominent explanation focuses on the French pronunciation of the name Vincent, which is “Vin-sang” and translates into “wine blood”. It should be noted that when grapevines are pruned, they often bleed sap – or vine blood – from the cuts.
But my favorite version of the story is the one that stars a hungry donkey.
I love donkeys. They are quirky, stubborn, unpredictable, sassy, lovable creatures. Their often-contradictory nature – stoic yet highly emotional, hard-working yet lazy, loyal yet defying) makes them the butt of many jokes, fodder for comical stories, and sometimes the stuff of folklore and legend (e.g. the famous Donkey of Dingac). In short, they are magnificent creatures.
As the story goes, one day Saint Vincent was wandering the countryside with his donkey when he encountered some workers in a vineyard. While Vincent chatted with the workers, the donkey entertained himself by eating all the young shoots off a nearby grapevine, reducing the limbs to stubs.
Later that year at harvest, the workers noticed that the vine that had been nibbled down by the donkey produced more abundant and healthier fruit than the rest of the vineyard.
And so it was revealed that grapevines – which can grow many meters long if not cut back – should be pruned in winter to ensure that the plant’s energy is directed more towards producing fruit than growing and sustaining shoots. Today pruning is a standard vineyard practice – a meticulous and painstaking task that keeps many skilled vineyard workers busy each winter.
But come St. Vincent’s Day, the clippers and shears are put down, and the celebrations begin!
In Croatia, the Feast of Saint Vincent of Saragossa is celebrated in all wine growing regions and is called “Vincelovo”, “Vincekovo”, or “Vinceška”, depending where you are in the country.
This year public festivals are scheduled to be held at Kutjevo in the Slavonia wine-growing region (“Kutjevačko Vincelovo”); in Zagorje at Bolfan Vinski Vrh winery (“Vincekovo”); and in the Baranja region at Vinarija Josić (“Vinceška”).
A typical St. Vincent’s celebration in Croatia consists of religious services, a blessing of the vineyards, a lighting of bonfires, live folk music performances and dancing, regional culinary specialties cooked over open fires, and of course plenty of local wine!
So here’s wishing you all a happy Feast of Saint Vincent of Saragossa. And if you are celebrating, don’t forget to raise a glass to Saint Vincent and our old friend, the Donkey!